Although a lifetime New Yorker, I never actually lived in Manhattan, respectfully referred to by the locals as “The City.” Until now. I just made the leap to an apartment on the East Side, and it’s a life-altering experience. I walked to Broadway a few nights ago, and my commute to work is all of 12 minutes – 13 if there's an unusually long traffic light.

This past weekend, I experienced my first snowstorm as a full-fledged Manhattanite. Spending most of my life in Brooklyn and suburban Westchester County, I was never a big fan of winter – icy roads, shoveling driveways, perilous commutes. But a snowstorm in Manhattan is magical. While my former Scarsdale neighbors laboriously shoveled their ways out, I happily walked to Central Park. The route took me past some of the most notable show windows our industry has to offer.

First stop was Bloomingdale's and its ode to the Chinese New Year, “Gung Hay Fat Choy.” It was an acknowledgement of an important holiday in our increasingly patchwork society, and also recognition of Chinese culture. It’s the year of the snake, so a serpentine figure graphically winded itself through the bank of Lexington Avenue windows framed with traditional Chinese red and gold.

Buoyed by the crisp winter air and Bloomingdale's creativite spirit, I doubled back to Saks Fifth Avenue to see winter white spheres subtly framing fashion statements by the likes of Alexander McQueen.

More winter warmth poured through the window glass at Louis Vuitton, a burst of color. There's nothing like a shot of yellow on a cold stormy day to brighten the soul. And, of course, Bergdorf Goodman was not to be outdone. What's more comforting than curling up with a great book on a snowy February afternoon? Bergdorf's windows were a celebration of literary classics, from Kafka to Dickens, as images of “The Metamorphosis” and “A Tale of Two Cities” adorned Fifth Avenue. Talk about story telling in the show window.

So now, with my Manhattan ZIP code, I have a newfound affinity for winter. For all “The City” has to offer, from Broadway and Museum Mile, to the fantastic post-holiday windows, I have one thing to say, “Let it snow.”

Eric Feigenbaum

Eric Feigenbaum is a recognized leader in the visual merchandising and store design industries with both domestic and international design experience. He served as corporate director of visual merchandising for Stern’s Department Store, a division of Federated Department Stores, from 1986 to 1995. After Stern’s, he assumed the position of director of visual merchandising for WalkerGroup/CNI, an architectural design firm in New York City. Feigenbaum was also an adjunct professor of Store Design at the Fashion Institute of Technology and formerly served as the chair of the Visual Merchandising Department at LIM College (New York) from 2000 to 2015. In addition to being the New York Editor of VMSD magazine, Eric is also a founding member of PAVE (A Partnership for Planning and Visual Education). Currently, he is also president and director of creative services for his own retail design company, Embrace Design.

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