Merchandising high-end eyewear can be a hard sell in a soft economy. But Luxottica addresses that challenge head-on with its new ILORI store in New York, which serves as a glamorous showcase for the impressive roster of designer brands.

The concept for the SoHo store, created by Craig Nealy Architects LLP (New York), offers its upscale customers a treasure hunt in a gallery of eyewear where the merchandise (which ranges in price from $150 to $20,000) is presented in a simple, elegant, user-friendly format.

The patrons spending that money are pampered with chocolate and champagne. All the employees (they’re called “partners”) have backgrounds in hospitality and take a two-week immersion into the ILORI experience, where eyewear is regarded as an integral part of a fashion wardrobe.

Customers are enticed into this store – as into ILORI’s other flagship, on Rodeo Drive in Beverly Hills – by a dramatic grouping of architectural piers. The elaborate millwork of the floor-to-ceiling structures creates a dynamic energy that continues throughout the environment. The piers, positioned toward the front, feature open-sell merchandise on horizontal relief shelves. Up-lighting celebrates the color of the eyewear, making the merchandise appear to glow. Completing the effect is the ethereal projection of a seasonal graphic onto the upper section of each pier.

A focal wall at the left of the entry area serves as “the voice of ILORI,” posting brand messages on the faces of three back-lit mirrors sequenced horizontally across the wall. A workhorse capacity wall system, inspired by the artist Piet Mondrian, features a series of color-blocked, tinted Plexiglas squares. Touch-latch, pop-open storage compartments allow for bulk assortment presentations while still maintaining a strong visual impact. “The Mondrian wall is a delicate balance of positive and negative space,” says David Kepron, vp in charge of retail design for spg3 (Philadelphia), the architect of record. “It’s not merely rack ’em and pack ’em. We endeavored to present luxury items in an artistic way.”

A beautiful rhythm of form draws customers to the rear quadrant of the store, where the arms of a concave gold wall announce the high-end luxury portion of the environment. A lighting fixture by Bocci (Vancouver, B.C.), a series of 14 illuminated hanging balls, serves as architectural ornamentation, adding sparkle and glamour to the area.

Eyewear is a difficult classification to present because the product is small, the offering is numerous and it’s hard to tell the high-end from the commodity. The challenge is to present the merchandise in a meaningful manner, make the selection process as easy as possible and have the store serve as your brand. So the ILORI experience is about story-telling, discovery and an appreciation of beauty, says Bink Zengel, senior director of design, branded environments, for Luxottica. “Our merchandising techniques highlight the characteristics of the product offering in a gallery-like, touch-and-feel setting to help customers navigate the space. Ultimately, we hope our customers have a great time in our stores.”

Client: Luxottica Retail, Cincinnati — Bink Zengel, senior director of branded environments; Jay Kratz, senior design manager; Tim Sheldon, industrial designer; Bobbie Koontz, project coordinator; Peggy Colvin, signage/graphics manager; Adrienne Ruebusch, senior project manager – construction

Design Architect: Craig Nealy Architects, New York

Architect of Record: spg3, Philadelphia

Project Manager, Construction: Turner Construction, Cincinnati

General Contractor: McKenzie Keck, Hackettstown, N.J.

Millwork & Fixtures: MG Concepts, Central Islip, N.Y.

Furniture: Forma & Design, Norwalk, Conn.

Lighting: Turtle & Hughes, Linden, N.J.; JKLM Lighting Design, New York; Bocci, Vancouver, B.C.

Flooring: Mees Distributors, Cincinnati; Garden State Tile, Port Reading, N.J.

Visuals Tools: Matrix, Hastings on Hudson, N.Y.; Color Brite, Cincinnati

Technology: Stratacache, Dayton, Ohio

Signage: Triangle Signs, Baltimore

Photography: Mark Steele Photography, Columbus, Ohio

 

Eric Feigenbaum

Eric Feigenbaum is a recognized leader in the visual merchandising and store design industries with both domestic and international design experience. He served as corporate director of visual merchandising for Stern’s Department Store, a division of Federated Department Stores, from 1986 to 1995. After Stern’s, he assumed the position of director of visual merchandising for WalkerGroup/CNI, an architectural design firm in New York City. Feigenbaum was also an adjunct professor of Store Design at the Fashion Institute of Technology and formerly served as the chair of the Visual Merchandising Department at LIM College (New York) from 2000 to 2015. In addition to being the New York Editor of VMSD magazine, Eric is also a founding member of PAVE (A Partnership for Planning and Visual Education). Currently, he is also president and director of creative services for his own retail design company, Embrace Design.

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